7
Oct. 12, 2022
When pseudocidal proto-emo Harold meets his opposite, manic pixie Grandma Maude, at a funeral, both will enrich the others’ lives in Hal Ashby's 1971 black comedy metaphor about the circle of life. Harold is obsessed by death, Maude by life and a blink and you'll miss it shot in the final third of the movie adds extra depth and context to its message. Bud Cort's muted, subdued and often monotone Harold is the yin to Ruth Gordon's spirited and energetic yang, and the movies pitch black sense of h...