Movies Episodes

This week the Bad Dads go full corporate: Top 5 Corporate & Tech Jargon — the phrases designed to sound like progress while delivering absolutely nothing. Circle back. Take it offline. Pivot. Blue-sky thinking. Tachyon pulse. If you've ever sat in a meeting thinking "what the actual f does that mean" — this one's for you.Then: Thunderbolts* — Marvel's Phase 5 closer. The Breakfast Club meets the Suicide Squad, if the Breakfast Club had government assassins and instead of Saturday detention, there's a sentient void of existential depression. It's actually quite good.

Bad Dads Film Review goes full courtroom chaos this week with My Cousin Vinny (1992) — the fish-out-of-water legal comedy where two broke New York kids take a wrong turn into the Deep South… and somehow end up charged with murder because of a misunderstanding that starts with a can of tuna . Sidey finally ticks off a long-standing gap (he’d never seen it), and we break down why this film still works: a tight premise, a brilliant “outsider vs small-town system” vibe, and a courtroom structure tha...

Bad Dads Film Review heads to the Italian Riviera this week for The Talented Mr. Ripley (1999) — a sun-drenched, jazz-soaked psychological thriller where gorgeous people do terrible things, and the worst person in the room still somehow isn’t the guy committing the murders. We follow Tom Ripley (Matt Damon), a small-time grifter with big social ambitions, who’s handed a golden ticket: travel to Italy and convince trust-fund prince Dickie Greenleaf (prime Jude Law, unfairly beautiful) to come hom...

The premise (simple, but the film isn’t): A privileged but messy NYC teenager, Lisa (Anna Paquin) , causes a moment of distraction that leads to a bus hitting and killing a woman (Allison Janney) . In the immediate aftermath she lies to the police —claiming the light was green—helping the driver (Mark Ruffalo) avoid consequences. The rest of the film is Lisa spiralling through guilt, grief, anger, and a need to “make it right,” while the city and everyone around her keep moving. What we talked a...

This week’s pick is Train Dreams : a quiet, meditative Netflix drama adapted from Denis Johnson’s novella, following the life of Robert Grainer (Joel Edgerton) — a logger and railroad worker drifting through early 20th-century America. It’s the kind of film that feels like a memory: sparse dialogue, heavy atmosphere, and a sense of time moving faster than any one person can keep up with. The opening sets the tone immediately: rail tracks, a tunnel, Will Patton’s voiceover , and an image that pay...

This week we head into full remake territory with Doug Liman’s glossy, bone-crunching update of Road House . Jake Gyllenhaal steps into Patrick Swayze’s boots as Dalton: a drifter, ex–UFC fighter, and walking concussion who takes a job cleaning up a Florida Keys bar where violence isn’t a possibility — it’s a nightly guarantee. From the opening underground fight circuit to the neon chaos of the Road House itself, the film wastes no time establishing its tone: sunburnt, hyper-kinetic, knowingly r...

This week Sidey watched Roof Man on a flight—and it turned out to be a surprisingly breezy true-crime oddity: part heist caper, part rom-com, all built around one ridiculous (but real) idea. What it’s about Channing Tatum plays Jeffrey Manchester , a struggling Army vet and dad who turns his “situational awareness” into a criminal superpower. His method is brutally simple: hammer through roofs, drop in overnight, hit fast-food joints for cash, vanish . After dozens of robberies he finally gets c...

A gritty, twisty one-night siege thriller that actually looks great (yes, you can see what’s happening). The RIP throws Matt Damon and Ben Affleck into a paranoid, internal-corruption nightmare where everyone feels suspicious and every conversation sounds like it has a second meaning. The setup Miami PD captain Jackie Veles is executed by masked hitters after sending one last message and ditching her phone in the river. The FBI descends on the TNT squad (Tactical Narcotics Team), grilling Damon’...

We went in expecting a messy anthology and came out with a genuinely original love letter to Oakland, 1987 — four stories that start as separate vibes and then click together in the final act like a mixtape that suddenly makes sense. The setup is pure mood: people spilling out of a cinema after The Lost Boys , a bright green “something in the air” glow hanging over the city, and a pulpy, comic-book style that flirts with Sin City / Scott Pilgrim energy. It’s stylish, funny, and—when it wants to ...

This one starts the way all great cinema analysis starts: Dan’s birthday sandwich (father-in-law today, Dan tomorrow, Mrs the day after), a bit of life admin, and then straight into neon sci-fi with Tron: Ares . If your Tron knowledge is basically “glowing lines, lightbikes, and that vibe,” you’re fine — this film mostly plays in the real world , and asks a simple question: what happens when programs from the Grid step into reality? The hook Two tech giants are racing to crack the next breakthro...

We start this one the only way we know how: Pete quits his job (casually), we open a bottle of potentially corked wine (possibly poisonous), and then—somehow—end up reviewing Avatar 3 , despite half the room not even watching Avatar 2 . Pete’s approach is simple: he’s not here to defend or attack Avatar. He’s here to report back from the front lines of three hours and ten minutes of James Cameron doing what James Cameron does. The setup (in plain English) You’ve got: Jungle people (from Avatar 1...

This week’s episode begins in full “Bad Dads” mode: we’re recording with barely any gear in sight, arguing about blinking lights, and realising—mid-flow—that “Island Week” might have scrambled everyone’s brains. But the chaos is fitting, because the film we tackle is The Island of Dr. Moreau (1996) … a movie so famously cursed it feels like it was assembled in a panic from whatever footage survived the production. Based on the H.G. Wells story, it follows Edward Douglas (David Thewlis) , a plane...

This episode begins, as ever, in total disarray: missed jokes, football updates, wine anxiety, and the creeping realisation that the best material always happens before the mic is on. Then Dan drops a bombshell: The Night Manager is so tense he physically struggled to finish it. And that’s the hook. Based on John le Carré’s novel, The Night Manager is a six-part espionage thriller starring Tom Hiddleston as Jonathan Pine, a hotel night manager pulled into a covert operation to bring down interna...

This episode begins the only way we know how: absolute chaos. We veer from wills, tits, and Stranger Things before eventually remembering we’re meant to be talking about a film. If you’re new here, that’s the show. The film in question is Guy Ritchie’s The Ministry of Ungentlemanly Warfare — a swaggering WWII caper based on a real black-ops unit hand-picked by Churchill and Ian Fleming. Set in 1941, it imagines the birth of modern special forces: not rules, not honour, just twenty feral speciali...

Benoit Blanc is back — but not in the way you might expect. In this episode, we dig into Wake Up Dead Man, the third entry in Rian Johnson’s Knives Out series, and quickly realise this isn’t just another playful, sun-drenched whodunnit. The tone is darker, stranger, and far more morbid than Knives Out or Glass Onion, leaning hard into religious imagery, guilt, confession, and moral rot. Set around a remote church and a fire-and-brimstone priest, the film opens with what looks like an impossib...

Die Hard is the kind of “comfort violence” film that never gets old, and your recap hits basically every reason it works. A few extra bits worth calling out (because they’re the secret sauce): It’s a Christmas film for structural reasons, not vibes. Christmas isn’t just background dressing. The party only happens because it’s Christmas, the building is half-staffed because it’s Christmas, McClane is only in LA because it’s Christmas, and Hans’ whole timing depends on a holiday lull. Remove Chris...

Homoeroticism, honour codes, and the least festive “Merry Christmas” ever recorded. This week’s pick looks like a seasonal warm hug by title alone, but it’s actually a POW-camp psychodrama where Christmas is basically just another opportunity for humiliation, beatings, and cultural misunderstanding. The core triangle Lawrence (Tom Conti): the cultural bridge. He respects Japan’s traditions more than the other prisoners do, but still can’t square the camp’s brutality with the language of “hono...

Horns, Hostages, and Human Trafficking Santa – Rare Exports: A Christmas Tale (2010) This week on Bad Dads Film Review, we go full Finland and unwrap a Christmas movie that answers the question nobody asked: what if Santa Claus wasn’t a jolly gift-giver, but an ancient, horned, child-snatching nightmare buried under a mountain? Our main feature is Rare Exports: A Christmas Tale (dir. Jalmari Helander), a wintery sci-fi/horror-dark-comedy that feels like The Thing wandered into a folk tale, go...

Sugar, Cheer, and Corporate Trauma – Elf (2003) This week on Bad Dads Film Review, we crack open a modern Christmas classic and ask the hard questions: how much maple syrup is too much maple syrup, and is Christmas cheer a viable alternative energy source? Our main feature is Elf (dir. Jon Favreau), the 2003 festive juggernaut that turned Will Ferrell into a full-blown Christmas institution. Ferrell plays Buddy, a human accidentally raised as an elf at the North Pole, who travels to New York ...

Fairs, Fixed Games, and Failed Backhands – Islands (2024) This week on Bad Dads Film Review, we’re off to the fair and then straight to the Canaries for a slow-burn midlife crisis with added camel corpse. We kick off with our Top 5 Fairs – everything from sinister funfairs and pleasure islands that definitely aren’t safeguarding-approved, to world expos, tunnel-of-love metaphors, and the sheer horror of Simply Red – Fairground lodging itself in your brain for days. Along the way there’s a rol...

Isle of Dogs (2018) – Trash Island, pandemics, and very good boys In this episode of Bad Dads Film Review, we head to Wes Anderson’s stop-motion Japan for Isle of Dogs, a film where man’s best friend is dumped on a toxic wasteland by a fascist cat-loving dynasty, and the only person who gives a toss is a 12-year-old boy in a stolen plane. We follow Atari and his pack of exiled hounds – Chief, Rex, King, Duke and Boss – as they trek across Trash Island in search of Spots, the missing bodyguard...

The Duellists (1977) & Top 5 Jewels – honour, obsession, and very stupid men with swords In this episode of Bad Dads Film Review, we kick things off with our Top 5 Jewels – a glittering mix of cursed stones, crime magnets and wildly impractical accessories. From the Pink Panther diamond and Uncut Gems’ black opal to Titanic’s Heart of the Ocean, Baz Luhrmann’s blinged-out Great Gatsby, Moana’s glowing heart of Te Fiti, and even that doomed chandelier in Only Fools and Horses, we rummage t...

A nameless truck, an everyday salesman, and 90 minutes of pure escalation: this episode is all about Steven Spielberg’s debut feature, Duel (1971). We talk through how a simple setup – Dennis Weaver’s mild-mannered David Mann driving to a routine meeting – turns into a relentless nightmare when he’s targeted by a grimy tanker truck that seems less like a vehicle and more like a stalking predator. From suburban driveways to dusty California highways, we track every swerve, near–miss, and increasi...

Frankenstein (2025) – Tech bros, trauma, and a super-horny monster movie on Netflix Mary Shelley by way of Guillermo del Toro feels almost too perfect, and Frankenstein (2025) absolutely leans into that match-up: lush Gothic sets, grotesque body horror, tender fairytale beats, and a very modern anxiety about people who build things they can’t control. In this episode, the Bad Dads dig into Netflix’s lavish new take on the classic, framed in the icy Arctic as Victor Frankenstein (Oscar Isaac) ...