Midweek Mention... My Cousin Vinny

Bad Dads Film Review goes full courtroom chaos this week with My Cousin Vinny (1992) — the fish-out-of-water legal comedy where two broke New York kids take a wrong turn into the Deep South… and somehow end up charged with murder because of a misunderstanding that starts with a can of tuna.
Sidey finally ticks off a long-standing gap (he’d never seen it), and we break down why this film still works: a tight premise, a brilliant “outsider vs small-town system” vibe, and a courtroom structure that’s way smarter than it has any right to be for a broad comedy. Joe Pesci turns up looking like he’s wandered in from Goodfellas in cowboy boots, tries to blag his way through Alabama procedure, and gets repeatedly threatened with contempt by an all-time stern judge (Fred Gwynne, aka Herman Munster).
What we talked about
- The opening setup: poverty-tour Americana, the road trip, and the tuna “crime of the century” that accidentally feeds the tension.
- Mistaken confession comedy: how the boys basically incriminate themselves… for the wrong offence.
- Vinny’s legal “credentials”: six tries at the bar, no trial experience, and a running battle with courtroom etiquette (“judge” vs “your honour”, the suit, the procedure handbook).
- The judge dynamic: why Fred Gwynne is the perfect straight man and how the contempt/lock-up beats become a recurring gag.
- Mona Lisa Vito (Marisa Tomei): the film’s secret weapon — and why her role isn’t just “girlfriend”, she’s the brain that solves the case.
- Courtroom mechanics: cross-exams, witness deconstruction, and why parts of this film get referenced in law-school conversations as a simple example of dismantling testimony.
- The car/tire evidence: the key pivot from “they’re screwed” to “hang on…” and the satisfying payoff when the story flips.
- Does it hold up? Runtime bloat (two hours is generous for this kind of comedy), how a lot of the plot collapses in the internet era, and why it’s surprisingly not as offensively “of its time” as plenty of early-90s comedies.
- The Oscar chat: why Tomei winning Best Supporting Actress felt weird for a comedy… and whether it was actually deserved.
Standard warning: we spoil the beats as we go, because that’s the whole fun of a courtroom film.
If you want a movie that’s basically “competence porn disguised as a daft comedy” — where the final win is earned by actual reasoning rather than magic — this one’s worth your time. (And yes: Tomei still, somehow, only gets more powerful with age.)
Streaming note from the episode: available on Disney+.
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Until next time, we remain...
Bad Dads
Cousin Vinny
Dan: Hey,
why you gonna do, why you gonna do my cousin Vinny and that? is from the Walkland.
This was, yeah, that's perfect. If you, if you've been from that, if you're from that part of the world that is. Almost like being taken back. Uncanny. Yeah. That is, that is like childhood memories because this was, my cousin Vinny actually chose this because Sidey mentioned he'd never seen this.
Sidey: had never seen it, no.
Dan: I
thought, well, let's correct that.
Sidey: I did watch it had, so I knew like the Oscar winning thing and that it was Jay Pley and whatnot, didn't have a clue that fucking Ralph Macho was in it.
Dan: Danny
Reegs: I'd forgotten. Fred Gwynn,
Sidey: His idiot is irritating, mate. Yeah
Reegs: no. He's Herman Munster,
Sidey: who
Oh, the judge. The judge won't budge.
Yeah.
Dan: Also the guy who plays was it. Wilber Weber or something like that. He's the, the, the FBI car expert [00:01:00] in the trial right at the He's been in loads of stuff.
Reegs: That
was James Por he was in talented Mr. Ripley last week, wasn't
Sidey: He was, he was the dad, green leaf or whatever's that
Dan: There we go. Knew he was in stuff. And so I thought, well, let's, let's check this out. This is 1992. I was, I was. Barely 70 years old when this came out. And I remember it from that time. I'm not sure that I'd seen it again, but I remember it being, you know, quite surprising that it won an Oscar at that
Sidey: time. Everyone was surprised about that.
Dan: Yeah. And just to let that cat out the bag, it was for.
Sidey: supporting actress.
Dan: actress. The sporting actress. Yeah.
Sidey: The, conspiracy is the can't remember the guy's name, but he just. Didn't read what was on the card, but I think that's Bar.
Reegs: the Warren Beatie one is this.
That's not Warren
Sidey: No,
hang
Dan: Maria
Cris: no. Marito me is the, the actress, but I dunno who the guy was.
Sidey: Jack [00:02:00] Palance.
Reegs: Alright. He read out a
Sidey: But no, I think he just read the name. She won, she won Phone Square. It's directed by Jonathan Lin. Yeah. Not my words, Lynn. The words of Top Gear Magazine. And it starts off with a car
Reegs: Yeah.
Dan: They're cruising
Reegs: Oh, it's a shot of a green Buick, isn't it? And it's quite important because it becomes integral to the plot really. This particular car,
Sidey: it has a, a song playing and it's all about the southern hospitality, the lyrics. They don't seem that hospitable
Dan: Yeah, they're going through these back.
Kind of waters of
Reegs: really poor. There's such a lot of poverty. You to sometimes forget that in America, like this particular, you know, they're selling hubcaps at the side of the road and it looks all broken down and fucked like a third world country
Dan: And they stop off a.
Kind of convenience store, garage station and they're collecting stuff and you can see that obviously students trying to save a few qui.
They say this, this kind of can of beans is 33 cents. This is [00:03:00] 32 cents. Oh look, this one's 31 cents. It's not the brand name and everything, but they all taste the same anyway. And so they're going right down to save as much money as they can. At one point, he's danny LaRusso,
Sidey: but he is done a kind of blokey thing of not picking up a basket. Has he? Yeah. Like you try and balance as much stuff and to, to ha make matters easy for him. He puts something in his
Reegs: He
puts a can of tuna in his pocket. Do they?
Dan: Yeah. The only he wants. So, and then when he gets to the, the till, he makes the guy fill up his slushy a little bit higher. But he forgets the can of Tauna is in there. And they, they leave. They get halfway down the, the street and he goes, geez.
Like I've, I've.
Sidey: crime of the century,
Dan: got this tuna in, like, what should I do? And he goes, you know, they'll hang you up there for this. And they start joking around about, you know, it being a medieval law system in
Sidey: they got death penalty.
Dan: they got death
Reegs: this sort of thing You'd say if you were in like Norridge or [00:04:00] Guernsey or
something?
Sidey: Yeah,
Dan: exactly. And they actually get pulled over. They get tailed by a cop and get pulled over. It starts going through their mind. They're, they're quite nervous. Young student kids, aren't they? They're not mouthy,
Reegs: Well, they're going across, I think they're going across to a, a university, aren't they? So that's, that's why they're doing this big epic drive from New York
Dan: New York,
Reegs: the country. Yeah. And so anyway, this sort of misunderstanding over the tune tuna is suddenly gonna become quite catastrophic.
Dan: Yeah. Because they end up being IDed in the, in the prison. They end up in the, in the police station in a lineup and everything, and they think oh, I knew this was serious, but,
Reegs: all this over a can of tuna seems
Sidey: quite low. The, the policeman never says to him.
Cris: why
you've been stopped or whatever.
Sidey: what the
Dan: He says, I know what it's
Sidey: at this point, although you kind of like can figure it out from this point, is that just after they've left?
Reegs: [00:05:00] Yeah.
Sidey: We dunno about the car bit, but the guy, this, this shop tell has been killed. Yes. In a robbery. Yeah.
Reegs: There's been a robbery gone wrong
Sidey: And they never say to the, to suspects that we are looking at that. That's what they've been pulled over for. And he, so he's just saying like innuendo type
Reegs: It's
a lot of tension out of this.
Sidey: Incriminating himself. Yeah. But for the wrong crime.
Reegs: Yeah. Well,
'cause he said like, oh yeah, officer, I know I did it. Don't worry.
Sidey: cent, 10
Reegs: I've done the, you know, I've done the crime. I wasn't thinking about it and all this stuff.
Dan: Stan didn't know anything about it. He was, he was innocent.
Sidey: Then he said, well, he'll be an accessory. And he is like, alright. You know, but
Reegs: accessory to stealing again in June
Dan: And he goes, we know you shot the clerk. And he goes, I shot the clerk. I shot the clerk
Reegs: and then suddenly there's a big hullabaloo after he is made this sort of semicon confession that forces everybody out of the room and we are left to deal with the aftermath.
Dan: and they've got him, saying, you know, I shot the, the clo more in shock of course than actually any confession. And the [00:06:00] next thing they find themselves making their one phone call,
Sidey: ti title drop coming up.
Reegs: Yeah.
Dan: he, he comes to call his mom and they talking about how much it's gonna cost for an attorney, and he
Sidey: but he, he slags off all the people in the
Reegs: they're all, they're all Hicks,
Dan: all corrupt. They sleep with their sisters, some of them do. And yeah, they're all kind of looking at him over up and down and while he is saying this and he goes, oh, we got an attorney in the family. Yeah, my cards really?
Reegs: Yeah.
Dan: And to Joe Peshy.
Reegs: Yeah. As they're about to be charged with first degree murder and given the death penalty as well, which they'll find out at their first hearing. So, Vinny, he turns up. In his car. I can't remember what it was, but it was something pretty distinctive.
Sidey: He doesn't look like a stereotypical lawyer, let's say.
Reegs: He doesn't, no. He's all dressed
Sidey: outta Goodfellas.
Reegs: but straight outta Goodfellas. Exactly. Long black leather jacket. All in black. I think he's got,
Dan: got a mole, he's got
Reegs: he's [00:07:00] got boots that have got
like gold coat. Yeah. Caps on.
Dan: He's
tried to make the effort in being down south that he's, he's got these kind of cowboy boots on.
Reegs: He's almost immediately giving his girlfriend Marissa Tome. I can't, what was her name?
Mona Lisa Mona Lisa. He, he starts giving her shit about not fitting in. They just both look ridiculous, utterly ridiculous.
Dan: And yeah, he's. He's kind of just got very little idea on how to be loyally as we find out. And
Sidey: reveals
almost straight away that he, he says six. How long have you been loyal?
I said, you're thinking of years, maybe months? No, it's weeks. Yeah. And it took him probably half a dozen times. Six times.
Reegs: to pass the bar as well.
Sidey: So not the strongest candidate if you're looking to get off a, a murder
Dan: who's never had a case.
Reegs: Yeah.
Sidey: No. And
he's like a, one of those shitty.
You know,
chase.
Reegs: he is an ambulance chaser
Sidey: personal claim. Yeah.
Reegs: Personal injury claims and all
Sidey: he [00:08:00] has to go meet the judge to be allowed to represent. Yeah. Because I guess there's different state and federal laws and whatever, and he has to know the laws that are gonna
Reegs: Well,
he gives him that big handbook of the Alabama state practice.
Like, I expect you to know this stuff inside out the procedure that we have
Dan: quite an intimidating judge, isn't he having a monster? He's, he's got just a massive head and well, he is
Sidey: he's a big dude.
Reegs: he did, he's the very stern, straight man to you know, Joe PEs, he's ridiculous. Vinny really.
Dan: And he's, he also inquires about his credentials and things. And he's, he,
Instead of coming out with the truth and saying you know, I don't have any expertise in that. He, he does that typical
kind of thing where he just says, yeah, sure I can do it. And this ends up being a little bit of a, a running thing with the judge because he starts giving two or three different names over the course of the film of
Sidey: [00:09:00] Yeah. They've gotta check his credentials. Yeah.
Dan: and, he, he's. You know, just the years before the internet. So this takes time to get verified.
Reegs: Yeah.
Dan: and he gets to practice and he gets to, to carry on the case up until a little bit further down the line when it'll be questioned again.
Reegs: Almost everything he does is to, the judge's disliking from calling him a judge rather than your honor to not wearing a suit to not following procedure. He's constantly in. He tells him he's gonna be in contempt of court. I think it is first at their arraignment, where they're just there to say whether he is
Sidey: guilty.
He won't say, he won't just say he
Reegs: say the words even though it's really clear.
Fred Wynn's really pissed off with him. He tells him. Like the best, the next two words out of your mouth, better be guilty or not guilty. And he starts waffling again. And then he ends up in contempt of court and following the boys into prison. Yeah. And he's gotta be bailed.
Dan: He's got, he's gotta be bailed. He is bailed out. And staying in like awful hotels where there's either the, the whistle of [00:10:00] the.
The work.
Reegs: I liked this, this was
Dan: factory going off at five 30 in the morning. The,
Reegs: the train coming through. Queing
Yeah.
Dan: it is.
Reegs: In fact, the best night's sleep he gets in the whole movie is when he's later again thrown into prison
Dan: And there is actually a riot at that time as well, but he just sleeps through it, doesn't he?
The other lawyer.
Who's
the prosecutor? We've seen him in stuff before as well.
Reegs: Lane Smith? Yes, he's really good. He's but I can't remember any stuff that he was in. He was a TV actor, I think, more than anything.
Dan: He was in like Dallas, I think, and, and things like this. Yeah.
Sidey: He was in Lois and Clark's news. New Adventures of Superman.
Reegs: Oh, yes, he was. Yeah. And
Dan: of that would've seen him in then that,
Reegs: Mm. Well said.
Dan: well, I knew he was a, the, the, the word or then,
Reegs: And it is funny because he thinks he's doing him a favor. He is like, oh, it'd be great if I could see all your case notes.
He's like, and then he phones up his oh, can you send Vinny over the [00:11:00] case notes? And he thinks he's charmed him on this like, hunting trip that they're going on where they're making him look a bit stupid. And then she's like, she's back at home. Mona Lisa reading the book. She, they kind of cut to their relationship.
She's desperate to get married, but mostly it looks like she just wants to fuck him in this 'cause she's constantly like parading around in her.
Dressing gown and tiny outfits and stuff.
Sidey: and they never fucking do.
Reegs: And they never do fuck because it's a PG 13, I think. But
Sidey: But you are also waiting for her to do the thing, like I,
Reegs: Well, she constantly picks up, right?
She's the one
Sidey: actually, she's the brains
actually
Reegs: the book and tells him No, he had to give you that stuff. 'cause it's part of the
Dan: Discovery. It's called Discovery. Yeah. And
Reegs: uncanny, Dan. It really is. I
Dan: I know new Walk, can't it. And so little gems of information uncovered to him. He's there's another scene where. He protects her honor by trying to beat up a guy in a bar who, she's beating him Paul. And it kind of, I guess, proves his [00:12:00] credentials for just being an arguing.
And and, Ralph Macho kind of says this as well. Is that his name?
Sidey: Yeah. Might as well be.
Reegs: Sure.
Dan: Why not? He says, look, a Gambini never loses an argument
Sidey: I guess it was like a play on a Gambino,
Reegs: Yeah.
Sidey: crime,
Dan: A ga, a gambini just never loses an argument. He will argue and argue until if there's something wrong, he just won't let it go. You've gotta trust him because with his incompetence, Stan his fellow accused partner in crime has lost all faith and wants to go with the public at attorney public defender.
Reegs: Yeah.
Sidey: The kind of discuss
Reegs: Who seems very credible actually when they, you know, he asks good questions, dresses, he's sort of the antithesis basically of of Vinny
Sidey: Yeah.
Dan: Until he gets onto the trial. But yeah. Vinny at one point he meets this guy two or three times. He owes money and he goes, well, you've gotta prove to me you've got the money and what my options.
I'm gonna get my ass kicked till I get [00:13:00] $200. And he's obviously about four times the size of Joe Peshy, this
Sidey: guy. Yeah. But you're thinking, I've seen him in casino. I've seen him in good
Dan: He
Sidey: know what this guy can do
Dan: can turn and, and when he does get the chance, he's just really pissed off because he's,
Reegs: I don't shine shoes no more.
Dan: he's got, he's got mud all
Sidey: No more shines. Tommy,
Dan: yeah.
And the pencil in the back. He's got mud all over his, suit at one stage. And he's really pissed off about that. And this guy says, oh, I've got the money. He's waiting in the street. And he just lamps him, takes the money and goes, and then turns up in, in this kind of
Sidey: but he gets shit for it again from the judge and he is like, you turn up in this outfit, and he is like, look, I went,
Reegs: He's, it is ridiculous though.
He's wearing this
Sidey: it's Napoleon dynamite suit
Reegs: Yeah, this Dixie suit, the pink
Sidey: But he, you know, the dry cleaner couldn't do it 'cause it's not New York. In an hour the shops were shut or they didn't have anything for him, so he had to get a secondhand suit and, but he's still wearing a suit and a tie and everything, so keep crying.
Dan: Yeah. Pink with a, like a, a dark pink
Reegs: a maroon sort of trim or
Sidey: But I, I found this section [00:14:00] of the film just drag a little bit. Because there's
Dan: the law,
Reegs: think the film is, gen in general is very uneven
Sidey: two hours long. It's unnecessary. Because you know that the court case is going to be difficult for him until the point that they suddenly find something and win it.
Yeah. And you're kind of just sitting
Reegs: although I did enjoy this stretch though, where he, they stack up a case against the two guys that seems very, very convincing and you know, there's a lot of evidence and this, that and the other.
And then he systematically dismantles
Dan: You get the public defender who's suddenly
Reegs: he bottles it. Yeah. He
Cris: start stuttering, you know?
Sidey: Yeah. It's real bad. Yeah.
Reegs: And then Joe Peshy kind of starts taking on, you know, the, the
Cris: well he starts interrogating witnesses. No, as in like,
Sidey: Yeah. He's good at like arguing. That's his strength is
Reegs: Yeah. And he deconstructs their stories.
He, you know, works out that the angle that the guy was looking from, his view was partially obscured by seven bushes. And you know, all she did the, another lady who positively identified
Dan: identified, what's this brown stuff here?
Dirt. Right? [00:15:00] That's right. That's all over your windows. What are those, what those things called dead sort of woody things, trees. That's right. And what do they have leaves? So he is just making sure that
Reegs: it's clear. It
Dan: it is clear. That is really, really clear.
Reegs: And when he does the, he tries to do the eye test on the old lady. And he goes, how many fingers am I holding up? And the judge is like, let let the stenographer show that
Cris: that it's been,
Reegs: holding up three fingers.
Like, mm,
Dan: Yeah. Just for the like, yeah.
Reegs: but it's good. He, he dismantles all their arguments. And then as I think we've talked about before, this particular sequence is sometimes shown in law schools to show like how to do a sort of, a bit of deductive reasoning over people's witness statements.
Dan: You know, the, the the, the other prosecutor, the, the guy that we we'd said, but wasn't he in Love The whip as well. Remember when we, there was that
Reegs: Yeah.
Cris: Well, the spot here at Hotel de France.
Reegs: the one that you chose with, not Charles
Dan: it was He was,
Reegs: that Lane
Dan: [00:16:00] Martin? I think it might have been.
Reegs: What was that fucking film that we watched as well? Now that's really annoying. It's really good.
Dan: It was, that was a really good film. I'm sure he was, he was in that as well. and there was, there was that, that kind of scene where they were saying, you're gonna love the whip, which was him getting
Sidey: man
on a swing.
Reegs: No, it was called,
Sidey: Between the
Dan: sounds like a
Sidey: blue Collar on the Yard Over the Edge. The Nickel Honey cycle. Rose, resurrection. Princess City, Francis Purple Hearts.
Red Dawn Place in the Heart. Native Son Weeds
Reegs: Oh, I nearly had it there.
Cris: What was, it? Is not
none of those
Sidey: I don't think it was him.
Reegs: No, he isn't, anyway.
Sidey: Mighty Ducks.
Reegs: No.
Dan: No,
Reegs: he in that, yeah.
Alright.
Dan: Oh, okay. Well, knew he was in something big. So that guy wasn't in the film that I thought he might be in, but otherwise he's being really convincing to a jury in my cousin Vinny, where he's holding up both hands and he's saying, you know, almost like if [00:17:00] the glove don't fit, you've gotta ac quit.
He's, he's got these kind of rhymes that are just meaning, you've gotta. Make sure these lot are going down because they're having the evidence stack up against him and the, the, the
Sidey: key witness, his key witness is the, is the car guy, right?
Dan: Yeah. He brings in a car guy. Who is going to prove that? Theirs was the car that was seen driving away the tire tracks
Reegs: He brings in a load of physical
evidence about
the di, what exactly what tires were on the car and what car it would've had to have this sort of
Dan: which actually, is turning out to be the most common car tire after Joe Peshy kind of flip flips it. But he still doesn't have that evidence because it,
Sidey: Well, ultimately you've gotta sell a story to the jury, right? Yeah. And then that's what they're made doing a better job up until this [00:18:00] point of this convincing story along with the evidence that they've got to make it look like these guys have done
Dan: but he's got a couple of photographs.
Sidey: also infer that it's kind of like a closed shot, this town, and they just want these outsiders done for it.
No matter what
Dan: they do. They do imply that it, but then the penny drops where he just looks at a photograph and he goes, a minute,
Sidey: Well, he is berated her about taking shit photos,
Reegs: Yeah.
Sidey: he? Yeah. Yeah. He's given her a real hard time. Marissa, Tema, And then he's looking at them and suddenly the penny drops, he said, and he shows it to her and she is like, fuck yeah.
Okay. And you're like, what is it? What is
Reegs: Yeah, yeah, yeah.
Dan: she knows everything and she realizes that the kind of,
Reegs: is this, when he gets her up on the
Sidey: side? Yeah, he calls her up.
Reegs: all pissy with him
Sidey: anyway. Yeah. They're not talking because. 'Cause of it. He's given her such a hard time about the photos.
Reegs: Yeah, he's, he's figured this out because he also worked in a garage as well.
And then, so he gets her on the stand, he sends the sheriff off with a bit of p piece of paper and goes, check this out. And then he gets her up on the standing. She's pissy. He's like, she's ordered to tell the truth and [00:19:00] nothing but the truth. And then says she won't talk to him because she's not speaking to him at the
Dan: the judge makes her and,
Reegs: and then he comes up and he says, oh, I've got this theory that, you know, there were two identical cars with two mates, and this is what's happened. They've got, and she's like, no, you are wrong. You are more on, this is why. And reels off this massive like
Dan: technical jargon, explanation, yeah. About
Reegs: limited slip differentials at why it was.
Actually a different car. So there are two different cars there. They've got, they weren't in fact the same car. There were two different
Dan: They, they, one of the cars, if it had gone over a bump like that, it would've ridden up. But the only car that didn't do that was a 1964 Pontiac Express Firebird, 2000 or something. And it was,
Reegs: I did like the way that she was, because they tried to undermine her credentials. They're a bit like, she's not a mechanic. She's a waitress or something. Yeah.
Dan: Yeah, no, an
Sidey: of work. She
Dan: outta work, hairdresser
Reegs: of work hairdresser. That's right. But everybody in her family, she reels off like
Dan: my father's a mechanic. His father's a [00:20:00] mechanic. My, my uncle's brothers were mechanics. My mother was a mechanic. She's like,
Sidey: Yeah. Wouldn't her uncle's brothers? Yeah, they her uncles. They were all
Dan: mechanics.
Cris: all, yeah,
Reegs: were all mechanics.
She
Dan: we had a dog, it was a mechanic.
Reegs: She demonstrates her credibility when Lane Smith tries to undermine her with a question that can't be answered, and she answers it spectacularly establish herself
Dan: It's a trick question.
Reegs: So, she, her testimony is able to prove it and then wouldn't you fucking know it? Just for dramatic effect. Then the sheriff walks in and goes, oh, by the way, we did actually find that two towns over some two kids were arrested and confessed, I think,
Sidey: they had the murder weapon.
Reegs: had
Dan: a 3 57 magnum gun in
Reegs: in the car that Marissa Tome described.
Sidey: Yeah. And
Dan: And so
It
cases thrown out.
Reegs: Wait, it's a big, and
Dan: My cousin really is one.
Reegs: Yes. And the judge gives him a sort of, he's like, oh, I did manage to [00:21:00] track you down.
And
Sidey: well, he's trying to get out as fast as he can before he is rumbled for not being who he says he is. And then it turns out that she's pulled strings and had someone give a, like almost an alibi, basically a false identity.
Reegs: Judge Malloy that they vaguely referenced earlier. Yeah. As so, and then, you know, the judge is like, oh, I didn't realize this in the presence of such a legal legend
Dan: Yeah, you win some, lose some. Oh, you are a legend. Like, and, and he doesn't really know what's going on here until she says, yeah, I've.
I've sorted you out yet again. And, and she goes, oh, I wanted to do it all on my own.
Reegs: it
cheapens my victory because you helped me.
Dan: and she says, oh, wasn't that bad. Imagine you win all your cases, but every now and again, you've gotta say thank you to
Sidey: someone. Yeah. I don't think she should marry this guy.
Dan: and
Reegs: this guy.
They just drive off bickering in their really weird, toxic
relationship.
Dan: she wins an Oscar. And
Sidey: when win a
Cris: they didn't actually get married in real life though, so it's
Dan: okay. And the boys the boys get, get off [00:22:00] after an exciting, yeah, I think, I think that's late later on in the credits you have to watch right to the end.
Reegs: Oh. There's a great scene actually that we missed where his buddy thinks when Vinny first turns up to see them in the in the prison cell and he thinks he's there to rape him. He's like, again, more things that he's saying to him could be taken
Dan: You should be down on
Reegs: should be down on your knees thanking me and the guy's like, oh.
Dan: yeah. a couple of little laughs like that throughout the film. And a story in 1992 that wouldn't hold up these days with the internet because he would just be instantly found who he said he is. Bleeding hell. Things move fast like that, don't they? You know, you just think so many plots of films just in our lifetime would.
Sidey: probably just put a case into ai
Dan: torn apart. Yeah. Just be torn and apart. But what did you thinks is as
Sidey: I enjoyed it. Yeah, I did, I did enjoy it. On, on, on the whole, it is not a perfect movie.
It's, it's like these sort of films should be 90 minutes max. Like there's no absolutely, [00:23:00] absolutely no need for this to be two hours. But I did enjoy it. That being said
yeah,
I'm gonna say she's said worthy. Oscar went, I, I don't
Dan: She would,
Reegs: one, doesn't it
Sidey: it's so strange because they never do anything for comedies.
Yeah. That's, I think what really like, blew people's
Dan: I dunno what she was up against.
Sidey: There'll be like some period drama. There'll be a,
Cris: probably the question more likely than anything else. It would've been who else was there and
Sidey: if best supporting,
Cris: if it wouldn't be anyone really standing out, then that's probably why,
Sidey: just don't do a lot of comedy recognition at all the academy.
So that's why I think it surprised everyone. But and she was a newcomer as well, so that was, that was weird.
Reegs: It's a funny kind of story when America kind of explores its class system, isn't it? Because like these guys come from the big city. Yeah. And then they come to the, the small town and it's like often in these stories, the small town, you, you're rooting for them or root wins some over, but this is now like, it's a solid
Dan: it's almost deliverance country, isn't it? Where they're, they're saying, I dunno what you've heard about you, you high flight and city slickers have heard about law down here, but we, we are
Reegs: we do it properly[00:24:00]
Dan: and we do it properly.
Though it's clear that they've rushed through the,
Sidey: that hasn't been a huge investigation
Dan: arrest them and, and haven't really listened to them saying, no, no, I was confessing to a can of tuna. I had nothing to do with like, gunning these. And even just their demeanor and manner didn't. Seem like, you know, murderers, they're clearly shocked about what this is, but maybe they're great actors.
I, I dunno to to the police in that regard. But yeah, it's a comedy. It's it's Joe Peshy and a couple of
you
know, funny scenes with, and we know him now gangster
Sidey: against type here. Well, he had done home alone as well, but it's not hilarious comedy.
Reegs: I think there was some good gags. Yeah. But it spread out over like quite a long time. Like you said, very uneven, like wandering a bit. But.
Dan: Overall,
Sidey: Do you enjoy it, Chris?
Cris: Yeah, I enjoyed it. I watched it a couple of [00:25:00] times actually when I was, obviously, when I was younger. I did put it on this time and I fell asleep before the movie actually started which, sorry, but that's, I, I do know the film and I know exactly what happens in it and, and all that because I, if I've seen it a couple of times, I, I know what's going on.
I remember every time I watched it, I enjoyed it, so, and, and I probably would've enjoyed it this time. I do know what you mean though, with the two hours thing. It's always, especially the, the older the films get
Sidey: when they start getting dated is you're like,
Cris: because you, you already know that you think with today's brain into a, into a movie that's been made 30 years ago and you're like, this wouldn't work today.
That's, that was the time. Right. And, and some of them, at least to be fair, for a comedy and for a film that is, I know it's PG and whatever, it wasn't really misogynistic. It wasn't really sexist. It wasn't really racist for the time that it was made. Which we've seen movies that we've, we've
Reegs: If anything, it completely dodges all of those
Cris: So I, I think from, for a film that's from [00:26:00] 1993, considering other ones that have been done at the same time and they're really offensive by today's standards, this is actually, I quite enjoy it. But again, it's, if you sit there for two hours and listen to the same kind of slow burn, it's not really
Sidey: Tome has aged like a fine wine as well,
Cris: Yes, yes. She definitely
Sidey: Mega babe. Still
Jay basically doesn't look so hot.
Reegs: no,
Cris: no, no. Not these days. No.
Sidey: But this for me is strong.
Recommend
Reegs: strong.
Cris: Yeah.
Dan: Go see it. Get it on Disney.

























